If Ridley Jones had slept ten minutes later or had taken the subway instead of waiting for a cab, she would still be living the beautiful lie she used to call her life. She would still be the privileged daughter of a doting father and a loving mother. Her life would still be perfect—with only the tiny cracks of an angry junkie for a brother and a charming drunk with shady underworld connections for an uncle to mar the otherwise flawless whole.
But that’s not what happened. Instead, those inconsequential decisions lead her to perform a good deed that puts her in the right place at the right time to unleash a chain of events that brings a mysterious package to her door—a package which informs her that her entire world is a lie.
Suddenly forced to question everything she knows about herself and her family, Ridley wanders into dark territory she never knew existed, where everyone in her life seems like a stranger. She has no idea who’s on her side and who has something to hide—even, and maybe especially, her new lover, Jake, who appears to have secrets of his own.
Sexy and fast-paced, Beautiful Lies is a true literary thriller with one of the freshest voices and heroines to arrive in years. Lisa Unger takes us on a breathtaking ride in which every choice Ridley makes creates a whirlwind of consequences that are impossible to imagine . . . .
AN INTERNATIONAL BOOK-OF-THE-MONTH SELECTION
A featured alternate selection of the Literary Guild, Doubleday Book Club, Book-of-the-Month Club, Mystery Guild, and Rhapsody Book Club.
Also available as a Random House AudioBook, a Large Print edition, and an eBook.
From the Hardcover edition.
Publishers Weekly
Unger”s well-crafted, suspenseful debut fiction, in which a bright, resourceful young woman finds her everyday world turned upside down in true Harlan Coben-thriller fashion, is done no favors by this off-kilter audio rendition. The main problem is that reader Lamia sounds a decade younger than the novel”s narrator, Ridley Jones. As the book”s heroine drifts into and out of jeopardy, fearlessly searching for the truth about her birth and parentage while defying powerful adversaries determined to keep a particularly evil secret, the mood should be noir. Lamia”s sound is strictly YA, more girly than gritty. Her performance isn”t one note; she makes all the right emotional choices. But she is not vocally versatile enough to do justice to the novel”s cast of characters. Asking her to convey the audio image of a rotund, sinister lawyer issuing dire threats, to take one example, is a little like hiring Paris Hilton to stand in for Orson Welles. Not her fault, exactly, if she falls short of the mark. Simultaneous release with the Crown hardcover (Reviews, Jan. 2). (Apr.) Copyright 2006 Reed Business Information.
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